Prominent Seattle artist Charles Krafft, whose comment on this very program last July that he believed the holocaust was “a myth” caused shock in the politically far-Left and Jewish-dominated art world, tells what it’s been like on his end since The Stranger article appeared on February 13th. Discussion includes:
Charles’ interview requests include Public Radio International (PRI);
What his old friends are saying and writing to him now;
Carolyn shines the spotlight on the critics of artist and “Holocaust” sceptic/researcher Charles Krafft. After an “expose” in a Seattle “gay lifestyle” magazine called him a White Nationalist and possible Holocaust Denier, others repeated the story, including the Huffington Post. A couple named Phil Campbell and Emily Hall (he writes for HuffPost and she for The Stranger) are scrutinized for their bizarre views that appear to be typical of the Ultra-Left.
In the second hour, Carolyn is joined by Harlan Schulke to discuss the latest in the Sandy Hook deception and why so many are satisfied to accept the official story. Discussed is:
The proven photo-shopping of Adam Lanza’s face, especially the eyes and chin [Above photo is the real, unretouched Adam];
Natalie Hammond is conveniently removed as a witness to the shooter by changing the story – but how could a woman hold the door against a 20-year-old man with guns;
Carolyn Yeager and Hadding Scott read and comment on Chapter 30: How Jews Capitalized a Protest Against Jews.
When the Theatrical Trust was finally broken, it was done by another group of Jews led by David Belascoand the Shubert brothers(J.J. and Lee Shubert shown at right in the 1920′s). The Shuberts turned the theatrical business into real estate speculation and made more money in theatrical leases and buildings. By the eve of the Depression (1930), the Shuberts owned, operated, managed or booked close to a thousand houses across the United States.
Chapter 31, “The Jewish Aspect of the ‘Movie’ Problem” was begun at the halfway point in tonight’s program. The attention is placed on the immorality, lasciviousness, criminality, etc. of the films and that it simply reflects the taste of the Jews who make them. But also, a movie with sex brings in twice to ten times more in revenue that a decent movie, it was said. An analysis of the motion picture industry revealed that 90% of parent companies were in the hands of Jews. Independent (non-Jewish) producers had to sell in the open market.
Next week we will complete Chapter 31 and go on to Chapter 32. Note: We are using the Noontide Press publication of The International Jew — The World’s Foremost Problem which can be found online here as a pdf file.
Carolyn Yeager points to examples of the Holocaust Cult spreading it’s tentacles more deeply into our everyday world. Everything associated with “The Holocaust” is ugly, just as Bolshevik architecture was. An example is the Warsaw Uprising Monument at right, with the new Museum of the History of Polish Jews being erected in the backgound. It’s like they outdo themselves to see how depressingly ugly they can make it.
NOTE: Carolyn misspoke right after the break when she said Klaus Schwensen was speaking with the "American Jew" about the 6 million number. Of course, it was Warwick Hester, not K.S. , having this conversation in the 1950's.
This is funny as can be, and what can be called 'Justice for Degenerate Art.' This now "ruined" artwork had the noble goal of showing the art viewer how dripping water stains a bowl. Can you believe it was valued at a million dollars? As my guests and I have pointed out in the recent Heretics' Hour programs, there is no limit to how far down the art world can fall when in the control of Jews. From a news story carried by the AP.
BERLIN (AP) —A cleaner with the best intentions
accidentally destroyed a piece of art worth more than $1 million when she
removed what she thought was a "stain" from the installation. Spoiler alert: It
wasn't really a stain.
Guests Wilhelm Kriessmann, who saw action on the Eastern Front in WWII, and Rodney Martin who specializes in the culture of the Third Reich, discuss with Carolyn the very high achievements in these two branches of the arts, so much of which was wantonly destroyed by the Allies during and after the war.