Watercolor (21 x 25 inches) by Hans Christoph, one of the “artworks” that poor, persecuted Jews are fighting to get their hands on. Called German Expressionism, how is this different from ordinary cartoons or caricatures that thousands of run-of-mill artists can do?
More of the art in the Cornelius Gurlitt collection has been put online, while a task-force, under Uwe Hartmann, has been set up to investigate the provenance of each one. Organized jewry is howling in protest because this could take a long time, and could prove much of their tale of “Nazi theft from Jews” to be wrong. Cornelius will immediately get back over 300 of the artworks as rightly belonging to him, bringing more criticism from jews.
News from the National-Socialist Underground Trial in Munich: Defense attorneys file a complaint that they are not receiving the required amount of euros they are entitled to. Uwe Böhnhardt‘s mother, Brigitte, testifies for two days in a way that displeases the court – she makes excuses for her son, is not remorseful toward the Turks, and thanks Beate Zschäpe for her kindness. She is a bad woman and parent!
Mark Weber is appearing on WN radio programs treated as a great asset to “our cause.” His large role in the destruction of the once-vibrant Institute for Historical Review is forgotten or unknown by younger activists whose world-view only reaches back to the year 2000 or so. Carolyn briefly reviews Mark’s undistinguished career and asks: Do we forgive betrayers and hold them once again in high esteem in our ranks? Should we celebrate weakness? (Look for an essay adding further to this subject soon at Carolyn Yeager Writings)
Beck met three times with Ambassador to France Bullitt during his private visit to Warsaw in November 1937;
The content of these and other conversations were contained in four “confidential memoranda” sent by Ambassador Biddle to Sec. of State Cordell Hull (and Roosevelt);
Poland accepted Germany’s actions on behalf of the Sudetan Germans in Czechoslovakia in 1938, and the break-up of the Czech state, because through it she also gained autonomy for Poles in the Teschen region;
Biddle’s secret telegram of March 29, 1939 revealed that the planned response by Beck to any specific suggestion from Berlin would now be a “dignified, polite but firm” no;
The U.S. even deceived Poland about the “Secret Additional Protocol” signed by Ribbentrop and Molotov on Aug. 21, and so the British government signed the Anglo-Polish mutual assistance agreement on August 25, 1939.
Click image to enlarge: William C. Bullitt, first US Ambassador to the Soviet Union, 1933-1936; US Ambassador to France, 1936-1940, seated in car with FDR. Bullitt played a prominent role in giving Polish diplomats the “American view” in 1938-39. His second wife, Louise Bryant, was the widow of John Reed, the famous American “Red.”
Images of the first 25 recovered artworks to be released to the public show that most of the collection is mediocre. The Chagall (top left) is inferior; probably a reject. Even the most normal-looking of the paintings, "Two Riders on a Beach" by the Jew Liebermann (second in 2nd row), the horses are badly drawn. No Picasso among these. See most of them here.
By Carolyn Yeager
The World Jewry network presses on with its goal to get the most recent find of "lost art" into the hands of Jews by playing the holocaust card. They're hitting on all cylinders now: Brute-force Nazi looting from helpless Jewish victims forced to flee for their lives while relatives who didn't get away were "gassed" in Auschwitz. For Jews, the melodrama never goes too far.
This lifesize concrete sculpture depicting a Red Army soldier raping a pregnant woman appeared next to a Soviet tank at the site in Gdansk, Poland that is meant to memorialize the "liberation" of the city from National-Socialist forces in 1945.
It is the work of Jerzy Bohdan Szumczyk, who is now facing up to two years in prison for the possible charge of inciting racial or national hatred. He placed it there during the night without permission and police removed it only a few hours later. But, according to authorities, the damage was done.
The sculpted soldier, identifiable as Russian by his helmet, is kneeling between the legs of a heavily pregnant woman lying on the ground. He holds her by the hair with his left hand while with his right he puts a pistol into her mouth. Szumczyk titled the piece "Komm, Frau" (Come, woman) which was the common phrase used by Soviet soldiers signaling to a German woman they were going to force sex on her and she should cooperate.
Prominent Seattle artist Charles Krafft, whose comment on this very program last July that he believed the holocaust was “a myth” caused shock in the politically far-Left and Jewish-dominated art world, tells what it’s been like on his end since The Stranger article appeared on February 13th. Discussion includes:
Charles’ interview requests include Public Radio International (PRI);
What his old friends are saying and writing to him now;
Carolyn shines the spotlight on the critics of artist and “Holocaust” sceptic/researcher Charles Krafft. After an “expose” in a Seattle “gay lifestyle” magazine called him a White Nationalist and possible Holocaust Denier, others repeated the story, including the Huffington Post. A couple named Phil Campbell and Emily Hall (he writes for HuffPost and she for The Stranger) are scrutinized for their bizarre views that appear to be typical of the Ultra-Left.
In the second hour, Carolyn is joined by Harlan Schulke to discuss the latest in the Sandy Hook deception and why so many are satisfied to accept the official story. Discussed is:
The proven photo-shopping of Adam Lanza’s face, especially the eyes and chin [Above photo is the real, unretouched Adam];
Natalie Hammond is conveniently removed as a witness to the shooter by changing the story – but how could a woman hold the door against a 20-year-old man with guns;
Carolyn Yeager and Hadding Scott read and comment on Chapter 30: How Jews Capitalized a Protest Against Jews.
When the Theatrical Trust was finally broken, it was done by another group of Jews led by David Belascoand the Shubert brothers(J.J. and Lee Shubert shown at right in the 1920′s). The Shuberts turned the theatrical business into real estate speculation and made more money in theatrical leases and buildings. By the eve of the Depression (1930), the Shuberts owned, operated, managed or booked close to a thousand houses across the United States.
Chapter 31, “The Jewish Aspect of the ‘Movie’ Problem” was begun at the halfway point in tonight’s program. The attention is placed on the immorality, lasciviousness, criminality, etc. of the films and that it simply reflects the taste of the Jews who make them. But also, a movie with sex brings in twice to ten times more in revenue that a decent movie, it was said. An analysis of the motion picture industry revealed that 90% of parent companies were in the hands of Jews. Independent (non-Jewish) producers had to sell in the open market.
Next week we will complete Chapter 31 and go on to Chapter 32. Note: We are using the Noontide Press publication of The International Jew — The World’s Foremost Problem which can be found online here as a pdf file.
Carolyn Yeager points to examples of the Holocaust Cult spreading it’s tentacles more deeply into our everyday world. Everything associated with “The Holocaust” is ugly, just as Bolshevik architecture was. An example is the Warsaw Uprising Monument at right, with the new Museum of the History of Polish Jews being erected in the backgound. It’s like they outdo themselves to see how depressingly ugly they can make it.
NOTE: Carolyn misspoke right after the break when she said Klaus Schwensen was speaking with the "American Jew" about the 6 million number. Of course, it was Warwick Hester, not K.S. , having this conversation in the 1950's.
This is funny as can be, and what can be called 'Justice for Degenerate Art.' This now "ruined" artwork had the noble goal of showing the art viewer how dripping water stains a bowl. Can you believe it was valued at a million dollars? As my guests and I have pointed out in the recent Heretics' Hour programs, there is no limit to how far down the art world can fall when in the control of Jews. From a news story carried by the AP.
BERLIN (AP) —A cleaner with the best intentions
accidentally destroyed a piece of art worth more than $1 million when she
removed what she thought was a "stain" from the installation. Spoiler alert: It
wasn't really a stain.