Art News

The "Lost Ugly Art" case is going to get uglier!

Published by carolyn on Wed, 2013-11-13 17:33

Images of the first 25 recovered artworks to be released to the public show that most of the collection is mediocre. The Chagall (top left) is inferior; probably a reject. Even the most normal-looking of the paintings, "Two Riders on a Beach" by the Jew Liebermann (second in 2nd row), the horses are badly drawn. No Picasso among these. See most of them here.

By Carolyn Yeager

The World Jewry network presses on with its goal to get the most recent find of "lost art" into the hands of Jews by playing the holocaust card. They're hitting on all cylinders now: Brute-force Nazi looting from helpless Jewish victims forced to flee for their lives while relatives who didn't get away were "gassed" in Auschwitz. For Jews, the melodrama never goes too far.

Russians outraged at Red Army rape sculpture

Published by carolyn on Thu, 2013-10-17 19:11

This lifesize concrete sculpture depicting a Red Army soldier raping a pregnant woman appeared next to a Soviet tank at the site in Gdansk, Poland that is meant to memorialize the "liberation" of the city from National-Socialist forces in 1945.

It is the work of Jerzy Bohdan Szumczyk, who is now facing up to two years in prison for the possible charge of inciting racial or national hatred. He placed it there during the night without permission and police removed it only a few hours later. But, according to authorities, the damage was done.

The sculpted soldier, identifiable as Russian by his helmet, is kneeling between the legs of a heavily pregnant woman lying on the ground. He holds her by the hair with his left hand while with his right he puts a pistol into her mouth. Szumczyk titled the piece "Komm, Frau" (Come, woman) which was the common phrase used by Soviet soldiers signaling to a German woman they were going to force sex on her and she should cooperate.

Saturday Afternoon: How Charles Krafft inadvertently forced the art world to deal with “holocaust denial”

Published by carolyn on Sat, 2013-03-09 12:23
 
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March 9, 2013

Prominent Seattle artist Charles Krafft, whose comment on this very program last July that he believed the holocaust was “a myth”  caused shock in the politically far-Left and Jewish-dominated art world, tells what it’s been like on his end since The Stranger article appeared on February 13th.  Discussion includes:

  • Charles’ interview requests include Public Radio International (PRI);
  • What his old friends are saying and writing to him now;
  • His history as a ceramics artist with his Disasterwaredebuting in 1991 and “Spone China” in 1999;
  • His connections to Slovenia and Romania, and the influence they had;
  • Difference between holocaust denial, skepticism and revisionism;
  • The importance, or not, of the artist’s intention and reasons for creating the work of art;
  • Is it the art or the artist that the art public should consider;
  • Art like Krafft’s can give a little distance from the “relentless mythologization of figures like Hitler (seen above in the form of a teapot) into symbolic demons.”

Saturday Afternoon: Deception Rampant from the Art World to the News World

Published by carolyn on Sat, 2013-03-02 12:29
 
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March 2, 2013

Carolyn shines the spotlight on the critics of artist and “Holocaust” sceptic/researcher Charles Krafft. After an “expose” in a Seattle gay lifestyle” magazine called him a White Nationalist and possible Holocaust Denier, others repeated the story, including the Huffington Post. A couple named Phil Campbell and Emily Hall (he writes for HuffPost and she for The Stranger) are scrutinized for their bizarre views that appear to be typical of the Ultra-Left.

In the second hour, Carolyn is joined by Harlan Schulke to discuss the latest in the Sandy Hook deception and why so many are satisfied  to accept the official story. Discussed is:

  • The proven photo-shopping of Adam Lanza’s face, especially the eyes and chin [Above photo is the real, unretouched Adam];
  •  Natalie Hammond is conveniently removed as a witness to the shooter by changing the story – but how could a woman hold the door against a 20-year-old man with guns;
  • Mislabeling of TV network news footage is a common occurrence;
  • Lying Jewish professor Michael Stone, known asDoctor of Evil” claims Lanza was “much more disturbed” than infamous Wisconsin murderer Jeffrey Dahmer!

"The International Jew" Study Hour - Episode 35

Published by carolyn on Thu, 2013-02-21 16:43
 
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Feb. 21, 2013

Carolyn Yeager and Hadding Scott read and comment on Chapter 30:  How Jews Capitalized a Protest Against Jews.

When the Theatrical Trust was finally broken, it was done by another group of Jews led by David Belasco and the Shubert brothers (J.J. and Lee Shubert shown at right in the 1920′s).  The Shuberts turned the theatrical business into real estate speculation and made more money in theatrical leases and buildings. By the eve of the Depression (1930), the Shuberts owned, operated, managed or booked close to a thousand houses across the United States.

Chapter 31, The Jewish Aspect of the ‘Movie’ Problem was begun at the halfway point in tonight’s program. The attention is placed on the immorality, lasciviousness, criminality, etc. of the films and that it simply reflects the taste of the Jews who make them. But also, a movie with sex brings in twice to ten times more in revenue that a decent movie, it was said. An analysis of the motion picture industry revealed that 90% of parent companies were in the hands of Jews. Independent (non-Jewish) producers had to sell in the open market.

Next week we will complete Chapter 31 and go on to Chapter 32. 

Note: We are using the Noontide Press publication of  The International Jew — The World’s Foremost Problem which can be found online here as a pdf file.

Germanic art treasures of the people's migration era

Published by carolyn on Mon, 2012-07-23 07:04

Germanische Kunstschätze der Völkerwanderungszeit

Eine Auswahl erlesener Arbeiten germanischer Goldschmiede der Völkerwanderungszeit ( 375 - 568 n.u.Z. ) und Merowingerzeit.

 
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The Heretics' Hour: "The Holocaust " cult uglifies our world and other complaints

Published by carolyn on Mon, 2012-07-09 19:39
 
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July 9, 2012

Carolyn Yeager points to examples of the  Holocaust Cult spreading it’s tentacles more deeply into our everyday world. Everything associated with “The Holocaust” is ugly, just as Bolshevik architecture was. An example is the Warsaw Uprising Monument at right, with the new Museum of the History of Polish Jews being erected in the backgound. It’s like they outdo themselves to see how depressingly ugly they can make it.

Other topics covered:

NOTE: Carolyn misspoke right after the break when she said Klaus Schwensen was speaking with the "American Jew" about the 6 million number. Of course, it was Warwick Hester, not K.S. , having this conversation in the 1950's.

Postwar German artist Anselm Kiefer honored by Jews in New York

Published by admin on Wed, 2011-12-14 19:30

  "I have tried to do something that is really impossible: uniting the Jewish and German spirits."

 

Industrious cleaning lady destroys German art (?) worth a million!

Published by carolyn on Sat, 2011-11-05 13:03

This is funny as can be, and what can be called 'Justice for Degenerate Art.' This now "ruined" artwork had the noble goal of showing the art viewer how dripping water stains a bowl. Can you believe it was valued at a million dollars? As my guests and I have pointed out in the recent Heretics' Hour programs, there is no limit to how far down the art world can fall when in the control of Jews. From a news story carried by the AP.

BERLIN (AP) —A cleaner with the best intentions accidentally destroyed a piece of art worth more than $1 million when she removed what she thought was a "stain" from the installation. Spoiler alert: It wasn't really a stain.
 

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Art News

The Heretics' Hour: Sculpture & Architecture in the Third Reich

Published by carolyn on Mon, 2011-10-31 11:19
 
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November 1, 2011

Guests Wilhelm Kriessmann, who saw action on the Eastern Front in WWII, and Rodney Martin who specializes in the culture of the Third Reich, discuss with Carolyn the very high achievements in these two branches of the arts, so much of which was wantonly destroyed by the Allies during and after the war.

Because of problems at VoR, this program was aired on Talkshoe. Here is the link to the Talkshoe page: http://www.talkshoe.com/talkshoe/web/talkCast.jsp?masterId=114250&cmd=tc

Honor Court entrance to Reichs Chancellery designed by Albert Speer, with Arno Breker sculptures Die Partei and Die Wehrmacht.

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