"The International Jew" Study Hour - Episode 36

Published by carolyn on Thu, 2013-02-28 16:28

Feb. 28, 2013

Hadding Scott and Carolyn Yeager complete the reading of Chapter 31:  “The Jewish Aspect of the ‘Movie’ Problem.”

One way Jews defend their control of the motion picture industry is by invoking the need to prevent ridicule or lampoonery of Jews, to which they are highly “sensitive.” That is also why they organized the B’nai B’rith and the Anti-Defamation League. At the same time, they regard any public expression of Christianity as being derogatory to their religion. TIJ points out again that the American mind is Anglo-Saxon, not sensual enough for the “Oriental” Jewish mind. It concludes that the problem is racial (using the word four times in a short space); thus not a problem of morals, but of management. [In other words, need to remove the Jews.]

They then read Chapter 32:  Jewish Supremacy in the Motion Picture World.

Jews did not invent motion photography, contributed next to nothing to its technical improvement; nor did they produce any of the great artists, writers or actors of that time – yet took all the benefit of it, as usurpers. Some of the major players are shown above, along with their place of birth, left to right: Adolph Zukor, b. Hungary, founder of Paramount; Carl Laemmle b. Germany, Universal Studios; Louis B. Mayer b. Russia,  MGM; William Fox b. Hungary,  20th Century Fox, and Harry Cohn b. NYCity, Columbia Pictures.  Other names were Selznick, Selwyn, Goldwyn,  Lasky,  Selig and Loew. Movie propaganda consists of silence about the Jew unless he is presented in exceptionally favorable circumstances.  [This chapter will continue next week, along with Chapter 33.]


2 Responses

  1. Hadding

    March 1, 2013 at 1:02 am

    Apparently what I said about the ACLU was not accurate. It was a faulty recollection.

  1. Diavola

    March 2, 2013 at 11:03 pm

    Just watched Frank Capra’s “Can’t Take it With You.” Frank’s son in a special feature short on the DVD described the despicable fraud perpetrated by Columbia Picture’s Harry Cohn. What a scheister. It is also described in this link: http://www.tcm.com/this-month/article/150876%7C0/If-You-Could-Only-Cook.html
    What I found interesting in the film are the couple monologues by Barrymore which spew patriotism and knock other political “ism” of that time. Note the movie was based on play written by couple of jews. I wonder if this portion of the script was lifted from the play or added.

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