"The International Jew" Study Hour - Episode 33
Feb. 7, 2013
Carolyn Yeager and Hadding Scott read and comment on Chapter 27: Jewish Control of the American Theater.
The theater has long been a part of the Jewish program. Along with the Press, it is one of the two great means of molding popular opinion. Not only the “legitimate” stage, so-called, but the motion picture industry—the fifth greatest of all the great industries in 1920—is also entirely Jew-controlled, with the natural consequence that now the world is in arms against it’s trivializing and demoralizing influences. It is the genius of the Jewish race to create problems of a moral character in whatever business they achieve a majority. This chapter tells about the beginnings of the Theatrical Trust, which helped to drive non-Jews out of the business.
Image at right: The advertisement for the 1925 film version of Ben-Hur, favored by Jewish producers apparently because it holds before the public a romantic picture of a Jew – even though a very un-Jewish Jew. But we see how the advertisement is sexualized, a trend that grew under Jewish influence.
Note: We are using the Noontide Press publication of The International Jew — The World’s Foremost Problem which can be found online here as a pdf file.
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Comments
Original comments on this program
2 Responses
Carl
February 7, 2013 at 10:18 pm
I thought Hadding’s observations about tragedy were spot-on, very astute. It is the natural disposition of the Jew to avoid true greatness, to which they can never aspire, and to favor melodrama and triteness.
And today, when we try to see great works of art, such as operas or ballets, we find them infected with the long-term fruits of Jewish influence: Negroes and Asians. We see the Asian lifting the White woman in ballet, symbolic of support, which is ridiculously out of place. We see a Negro Commendatore, with the grotesque wooden Negro chesty singing, standing tall in judgment over the sinful Don Giovanni. Entirely absurd, and ‘staged’ to force us last few hoity-toity-ites to accept race-mixing, or to forgo art altogether.
Nemeth
February 8, 2013 at 8:12 am
Ichabod – Expressing regret at a loss of former glory or high standards.