Art News

By Carolyn Yeager

THE BBC PUBLISHED THE ABOVE IMAGE AND AN ACCOMPANYING STORY under their “News From Elsewhere” heading without even a reporter's byline. It reads: 

By News from Elsewhere... ...as found by BBC Monitor                         10 March 2017

It seems this is a way for them to spread around news that makes those they don't like look bad without taking responsibility for it. But they're wrong if they think they can get away with that.

 By Carolyn Yeager

STAR ARCHITECT David Chipperfield’s plan to restore Munich’s Haus der Kunst to its original Nazi-era state has provoked blow-back amongst Jewish groups and the political left.

The 1937-era building sits at Prinzregentenstraße at the southern end of the English Garden and is scheduled to undergo the renovation work at the end of 2017. The Bavarian government has allocated €58 million to the project, with €20 million chipped in from the Federal government (totaling $83.7 million). Bavarian Culture Minister Ludwig Spaenle approved the plan, which has surprised many by being essentially a restoration of the exterior and surrounding grounds to its original Nazi-era state.

An alert reader, alecti, discovered an article in the Berliner Morgenpost dated January 13, 2014 about the Welfenschatz (Guelph Treasure) lawsuit brought by twe Jews, Gerald Stiebel and Alan Philipp, against the German government. The article is titled "Who really owns the Guelf Treasure?"

Translating the article using Google Translate is far from perfect, but does give some clear ideas that I will use in this post. Anyone out there who can provide me with a better translation into English - please feel free to do so!

First, the dispute is officially between two heirs of the original  Jewish art dealers and the SPK, the Prussian Cultural Heritage Foundation, which oversees the museums in Berlin. The collection of medieval reliquaries, alters, and crucifixes was kept for centuries in Prussia's Brunswick Cathedral. In the 17th century, approximately 80 items were removed from the cathedral by John Frederick, Duke of Brunswick-Luneburg.

80 years ago, in 1935, some Jewish art dealers in Berlin sold a collection of medieval Christian relics, known as the Welfenschatz treasure, to one or more National Socialists “after they were unable to get a better offer.” The collection consists of dozens of gold and bejeweled relics that date to the Holy Roman Empire.

History of the collection according to Wikipedia

The next chief conductor of the Berlin Philharmonic has been chosen: He is Kirill Petrenko, a Jew born and raised until age 18 in Russia! [Strangely, or not, the announcement was made on June 22 (the date of the German invasion of the Soviet Union in 1941).] Isn't it wonderful, and so international as befits an “international city” like Berlin, yes? 

The problem for true Berliners, though, is that Petrenko was selected over a Berlin-born German who many expected to get that job: Christian Thielemann, currently chief conductor for the Sächsische Staatskapelle Dresden and former music director of the Munich (Bavarian) Philharmonic. Thielemann is 56 years old (born April 1, 1959), with a brilliant career in opera, being a regular conductor at Bayreuth and the Salzburg Festivals.

Some top-notch famous sculptures by Adolf Hitler's two favorite artists, for whom he built gigantic studios for their super-large works to be created for public buildings and public spaces, have been confiscated by the Berlin State Office of Criminal Investigation. It is the preliminary determination that the rightful owner of this artwork is the German State, or German government.

Among the masterpieces discovered and expropriated from their current owners are (click on images to enlarge):

"Die Wehrmacht," one of two sculptures created by Arno Breker for the main courtyard of Hitler's New Reich Chancellery in 1939 was discovered on a large estate near Kiel in northern Germany.

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This is the article from the Wall Street Journal that I didn't get to in today's program. I am posting the whole thing with my comments in red.

Lauder Urges Germany to Comb Museums for Nazi Loot

By Kelly Crow and Mary M. Lane  Updated Dec. 11, 2013 10:17 p.m. ET

The family of prominent Jewish art dealer Alfred Flechtheim is laying claim to Max Beckmann's 1927 "Still Life with Telescope," (above) estimated at $12 million and now in Munich's Modern Pinakothek (Picture Gallery).

Germany must create an international commission to scour its public museums for Nazi loot, cosmetics billionaire Ronald Lauder said Tuesday, adding a prominent voice to the growing cry for more transparency. 

Dec. 14, 2013

Carolyn reveals some sensitive, hitherto undisclosed information about White Nationalist personality Rodney Martin that just came to her attention. It addresses his fairly long professional association with American Indian affairs in Arizona and California, both as a Commissioner of Indian Affairs and as Tule River Tribal Council Administrator (see link at bottom), and the fact that his wife, and mother of his five children, is an “Eastern Cherokee” Native American. The Tule River Tribe owns a casino and deals in large amounts of money.  Rodney’s position was taken over by a Jew Sam Cohen in late 2009. Rodney was able to retire permanently at that time, before he was 40 years old.

Mike and Donn called in. Carolyn finished out the program addressing the stepped-up joint pressure by Jews and Israel to force Germany to “turn over” the contents of its art museums for looting by the Jews in the name of the despicable  “HoloCost victims.” 

Nov. 23, 2013

More of the art in the Cornelius Gurlitt collection has been put online, while a task-force, under Uwe Hartmann, has been set up to investigate the provenance of each one. Organized jewry is howling in protest because this could take a long time, and could prove much of their tale of “Nazi theft from Jews” to be wrong.  Cornelius will immediately get back over 300 of the artworks as rightly belonging to him, bringing more criticism from jews.

Also, the latest developments in the persecution of  Cornelius Gurlitt and the “Looted Nazi Art” scam and why it is a scam.

Nov. 18, 2013

How two United States ambassadors serving President Franklin Roosevelt worked to wreck feelings of trust between Poland’s Foreign Office under Josef Beck and the government of Adolf Hitler. German Historian Dr. Alfred Schickel’s paper “Germany and Poland in American secret documents” examines the secret memorandums and telegrams sent by Drexel Biddle, U.S. Ambassador to Poland, which contained secret conversations held by William C. Bullitt, U.S. Ambassador to France, with Joself Beck and other high-level Poles such as Marshall Ridz-Smigly. Some important points:

• Beck met three times with Ambassador to France Bullitt during his private visit to Warsaw in November 1937;
• The content of these and other conversations were contained in four “confidential memoranda” sent by Ambassador Biddle to Sec. of State Cordell Hull (and Roosevelt);
• Poland accepted Germany’s actions on behalf of the Sudetan Germans in Czechoslovakia in 1938, and the break-up of the Czech state, because through it she also gained autonomy for Poles in the Teschen region;
• Biddle’s secret telegram of March 29, 1939 revealed that the planned response by Beck to any specific suggestion from Berlin would now be a “dignified, polite but firm” no;
• The U.S. even deceived Poland about the “Secret Additional Protocol” signed by Ribbentrop and Molotov on Aug. 21, and so the British government signed the Anglo-Polish mutual assistance agreement on August 25, 1939.

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By Carolyn Yeager

The World Jewry network presses on with its goal to get the most recent find of "lost art" into the hands of Jews by playing the holocaust card. They're hitting on all cylinders now: Brute-force Nazi looting from helpless Jewish victims forced to flee for their lives while relatives who didn't get away were "gassed" in Auschwitz. For Jews, the melodrama never goes too far.

This lifesize concrete sculpture depicting a Red Army soldier raping a pregnant woman appeared next to a Soviet tank at the site in Gdansk, Poland that is meant to memorialize the "liberation" of the city from National-Socialist forces in 1945.

It is the work of Jerzy Bohdan Szumczyk, who is now facing up to two years in prison for the possible charge of inciting racial or national hatred. He placed it there during the night without permission and police removed it only a few hours later. But, according to authorities, the damage was done.  

March 9, 2013

Prominent Seattle artist Charles Krafft, whose comment on this very program last July that he believed the holocaust was “a myth”  caused shock in the politically far-Left and Jewish-dominated art world, tells what it’s been like on his end since The Stranger article appeared on February 13th.  Discussion includes:

• Charles’ interview requests include Public Radio International (PRI);
• What his old friends are saying and writing to him now;
• His history as a ceramics artist with his “Disasterware” debuting in 1991 and “Spone China” in 1999;
• His connections to Slovenia and Romania, and the influence they had;
• Difference between holocaust denial, skepticism and revisionism;
• The importance, or not, of the artist’s intention and reasons for creating the work of art;
• Is it the art or the artist that the art public should consider;
• Art like Krafft’s can give a little distance from the “relentless mythologization of figures like Hitler (seen above in the form of a teapot) into symbolic demons.”

March 2, 2013

Carolyn shines the spotlight on the critics of artist and “Holocaust” sceptic/researcher Charles Krafft. After an “expose” in a Seattle “gay lifestyle” magazine called him a White Nationalist and possible Holocaust Denier, others repeated the story, including the Huffington Post. A couple named Phil Campbell and Emily Hall (he writes for HuffPost and she for The Stranger) are scrutinized for their bizarre views that appear to be typical of the Ultra-Left.

In the second hour, Carolyn is joined by Harlan Schulke to discuss the latest in the Sandy Hook deception and why so many are satisfied  to accept the official story. Discussed is:

• The proven photo-shopping of Adam Lanza’s face, especially the eyes and chin [Above photo is the real, unretouched Adam];
• Natalie Hammond is conveniently removed as a witness to the shooter by changing the story – but how could a woman hold the door against a 20-year-old man with guns;
• Mislabeling of TV network news footage is a common occurrence;
• Lying Jewish professor Michael Stone, known as “Doctor of Evil” claims Lanza was “much more disturbed” than infamous Wisconsin murderer Jeffrey Dahmer!

Germanische Kunstschätze der Völkerwanderungszeit

Eine Auswahl erlesener Arbeiten germanischer Goldschmiede der Völkerwanderungszeit ( 375 - 568 n.u.Z. ) und Merowingerzeit.

  "I have tried to do something that is really impossible: uniting the Jewish and German spirits."

Truer words were never spoken. It is impossible, for sure. Is artist Kiefer aware of what he's saying and means it, or did it just come out that way? On Tuesday, Dec. 13, the following information was posted at Germerica.net. (The website is now defunct and used for malicious purposes -ed.)

This is funny as can be, and what can be called 'Justice for Degenerate Art.' This now "ruined" artwork had the noble goal of showing the art viewer how dripping water stains a bowl. Can you believe it was valued at a million dollars? As my guests and I have pointed out in the recent Heretics' Hour programs, there is no limit to how far down the art world can fall when in the control of Jews. From a news story carried by the AP.

BERLIN (AP) —A cleaner with the best intentions accidentally destroyed a piece of art worth more than $1 million when she removed what she thought was a "stain" from the installation. Spoiler alert: It wasn't really a stain. 

November 1, 2011

Guests Wilhelm Kriessmann, who saw action on the Eastern Front in WWII, and Rodney Martin who specializes in the culture of the Third Reich, discuss with Carolyn the very high achievements in these two branches of the arts, so much of which was wantonly destroyed by the Allies during and after the war.

Because of problems at VoR, this program was aired on Talkshoe. Here is the link to the Talkshoe page: http://www.talkshoe.com/talkshoe/web/talkCast.jsp?masterId=114250&cmd=tc  

Honor Court entrance to Reichs Chancellery designed by Albert Speer, with Arno Breker sculptures Die Partei and Die Wehrmacht.