Art News

March 9, 2013

Prominent Seattle artist Charles Krafft, whose comment on this very program last July that he believed the holocaust was “a myth”  caused shock in the politically far-Left and Jewish-dominated art world, tells what it’s been like on his end since The Stranger article appeared on February 13th.  Discussion includes:

• Charles’ interview requests include Public Radio International (PRI);
• What his old friends are saying and writing to him now;
• His history as a ceramics artist with his “Disasterware” debuting in 1991 and “Spone China” in 1999;
• His connections to Slovenia and Romania, and the influence they had;
• Difference between holocaust denial, skepticism and revisionism;
• The importance, or not, of the artist’s intention and reasons for creating the work of art;
• Is it the art or the artist that the art public should consider;
• Art like Krafft’s can give a little distance from the “relentless mythologization of figures like Hitler (seen above in the form of a teapot) into symbolic demons.”
  

Germanische Kunstschätze der Völkerwanderungszeit

Eine Auswahl erlesener Arbeiten germanischer Goldschmiede der Völkerwanderungszeit ( 375 - 568 n.u.Z. ) und Merowingerzeit.

This is funny as can be, and what can be called 'Justice for Degenerate Art.' This now "ruined" artwork had the noble goal of showing the art viewer how dripping water stains a bowl. Can you believe it was valued at a million dollars? As my guests and I have pointed out in the recent Heretics' Hour programs, there is no limit to how far down the art world can fall when in the control of Jews. From a news story carried by the AP.