Art News

March 9, 2013

Prominent Seattle artist Charles Krafft, whose comment on this very program last July that he believed the holocaust was “a myth”  caused shock in the politically far-Left and Jewish-dominated art world, tells what it’s been like on his end since The Stranger article appeared on February 13th.  Discussion includes:

• Charles’ interview requests include Public Radio International (PRI);
• What his old friends are saying and writing to him now;
• His history as a ceramics artist with his “Disasterware” debuting in 1991 and “Spone China” in 1999;
• His connections to Slovenia and Romania, and the influence they had;
• Difference between holocaust denial, skepticism and revisionism;
• The importance, or not, of the artist’s intention and reasons for creating the work of art;
• Is it the art or the artist that the art public should consider;
• Art like Krafft’s can give a little distance from the “relentless mythologization of figures like Hitler (seen above in the form of a teapot) into symbolic demons.”
  

Feb. 21, 2013

Carolyn Yeager and Hadding Scott read and comment on Chapter 30:  How Jews Capitalized a Protest Against Jews.

When the Theatrical Trust was finally broken, it was done by another group of Jews led by David Belasco and the Shubert brothers (J.J. and Lee Shubert shown at right in the 1920′s).  The Shuberts turned the theatrical business into real estate speculation and made more money in theatrical leases and buildings. By the eve of the Depression (1930), the Shuberts owned, operated, managed or booked close to a thousand houses across the United States.

Chapter 31, “The Jewish Aspect of the ‘Movie’ Problem” was begun at the halfway point in tonight’s program. The attention is placed on the immorality, lasciviousness, criminality, etc. of the films and that it simply reflects the taste of the Jews who make them. But also, a movie with sex brings in twice to ten times more in revenue that a decent movie, it was said. An analysis of the motion picture industry revealed that 90% of parent companies were in the hands of Jews. Independent (non-Jewish) producers had to sell in the open market.

Next week we will complete Chapter 31 and go on to Chapter 32. 

Note: We are using the Noontide Press publication of  The International Jew — The World’s Foremost Problem which can be found online here as a pdf file.

July 9, 2012

Carolyn Yeager points to examples of the  Holocaust Cult spreading it’s tentacles more deeply into our everyday world. Everything associated with “The Holocaust” is ugly, just as Bolshevik architecture was. An example is the Warsaw Uprising Monument at right, with the new Museum of the History of Polish Jews being erected in the backgound. It’s like they outdo themselves to see how depressingly ugly they can make it.

Other topics covered:

• How many survivors are still alive?
• “Jews Out” board game;
• The American Jew who admitted “The Holocaust” is a lie. 
• The homosexual agenda follows the same pattern as the Jewish agenda;
• Where is the money going? A look at Mark Weber and the IHR

NOTE: Carolyn misspoke right after the break when she said Klaus Schwensen was speaking with the "American Jew" about the 6 million number. Of course, it was Warwick Hester, not K.S. , having this conversation in the 1950's.

This is funny as can be, and what can be called 'Justice for Degenerate Art.' This now "ruined" artwork had the noble goal of showing the art viewer how dripping water stains a bowl. Can you believe it was valued at a million dollars? As my guests and I have pointed out in the recent Heretics' Hour programs, there is no limit to how far down the art world can fall when in the control of Jews. From a news story carried by the AP.