architects

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 THE DISCORD

Translated and condensed from Hermann Giesler's Ein Anderer Hitler by Wilhelm Kriessmann and Carolyn Yeager 

This is a condensation of the 15-page section Der Zwist on pages 340-355

copyright 2014 Carolyn Yeager

“ Powerful and at the same time not interested in power” … so judges the American historian, Professor Eugene Davidson, about the author Adalbert Speer, when reviewing his book Erinnerungen.

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The following footnote (Chapt. 4, #32) from Joachim Fest’s Speer: The Final Verdict reveals the disdain Albert Speer felt toward Hermann Giesler that was probably the root of the problems between the two men.

“… in the caption to the picture showing Hitler in front of the Eiffel Tower, (Speer) mentions Breker but not Giesler on his right. […] In conversation Speer remarked that Giesler had been distinguished “beyond merit” by Hitler's invitation. Asked if he had been jealous of his rival, he replied, ‘How should I have been jealous of him? Giesler was a frightful petit-bourgeois! How could he supplant me in Hitler's favor?’ […] How unremitting Speer’s feelings were for Giesler emerges also from the fact that he consistently misspells his name with what seems like pointed indifference.”

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The following is something of a masterpiece of satiric wit from Giesler. -cy

The Column Saint

From Hermann Giesler’s memoir Ein Anderer Hitler 
Der Säulenheilige, pages 355-360
1977 edition, Druffel-Verlag

Translated by Wilhelm Kriessmann and Carolyn Yeager 
copyright Carolyn Yeager 2014

In the year 113 the Roman senate erected a gigantic column for the emperor and military leader Trajan. (Shown right) On the capital of the column stood the gilded statue of the honored.

The art historian Bruhns writes ”Used to gigantism and always striving to exceed, Rome created that form of eternal triumph which then did mankind not less convince of its greater impression than the older kind of triumphal arch, now of a lesser rank. As the colossal column expresses the idea of “height” exceptionally well, it can also be used very well for the adoration of the “highest.” Antoninus Pius and Marcus Aurelius were given similar columns in Rome. Arcadius got his at the new capital Constantinople.

When Europe during the Napoleon era felt itself specially close to Rome’s greatness, it presented the new emperor with the Vendome column in Paris—and his conqueror, Alexander of Russia, a second one in Petersburg.”

The emerging Christianity overthrew the images of antique greatness and now paid homage to its believers on imposing columns. After the final decline of the ancient dignities around the 4th and 5th centuries, ascetic Christians requested the top of the Roman columns as pleasing to God. The best known among them was Symion Stylites from Aleppo. Those ascetics and penitents, called stylites or “Säulenheilige (column saints), strove to increase their ranking  by self-elevation. 

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In this section of his book, Giesler gives his impressions and an architectural critique on Albert Speer's June 1971 interview in Playboy magazine. I have included it in its entirety, even the more technical parts that were, in a few places, difficult for me to decipher from the part of Wilhelm Kriessmann's original translation which never went through the editing process between the two of us before he died in December 2012.  ~Carolyn Yeager

Speer in the "Playboy"

 From Hermann Giesler’s memoir Ein Anderer Hitler 
Speer im "Playboy", pages 318-329
1977 edition, Druffel-Verlag

Translated byWilhelm Kriessmann and Carolyn Yeager 
copyright Carolyn Yeager 2014

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In the Summer 1971 my son brought me from America a peculiar magazine: Playboy, June 1971, the great interview “Albert Speer—Hitler’s closest confidant and second in command.”1 That interview in the sensationally edited magazine is accompanied by ill-reputed and illustrated jokes and by naked, boasting 'girls'. The answers given by the great ethicist and titan of repentance to the smartly questioning reporter, Eric Norden, in the multimillion-read magazine, are unique and way-out, and contain such wicked passages that they become unbelievable even at dimensions preferred by Speer.

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The Contradictious Speer 

From Hermann Giesler’s memoir Ein Anderer Hitler 
Der zwiespältige Speer, pages 332-339
1977 edition, Druffel-Verlag

Translated  by Wilhelm Kriessmann and Carolyn Yeager 
copyright Carolyn Yeager 2014

This section from Giesler's memoir Ein Anderer Hitler deals with his correction of Albert Speer’s insulting statements about the Fuehrer at occasions when Giesler was present or knew differently because of his own experience with Hitler.

To add some perspective to Giesler’s account, we remind you that Speer’s biographer Gitta Sereny titled her book, Albert Speer: His Battle With Truth. 

In addition, Nicolaus von Below, Hitler’s Luftwaffe adjutant from 1937-45, wrote in his memoir At Hitler’s Side about an incident of seeing a striking red color appear in the sky while in the company of Hitler on the terrace at Obersaltzberg in Aug. 1939. He told Hitler it augured a “bloody war.” He said he “recounted this conversation to Speer in 1967 but later he (Speer) attributed my remark erroneously to Hitler in his book Erinnerungen.”1

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In his memoir about the Adolf Hitler he knew (Ein Anderer Hitler), Hermann Giesler devoted a section to his difficult relationship with architect Albert Speer. Divided into six parts, it covers 42 pages, from pg. 318 to 360. Wilhelm Kriessmann translated the entire section in 201l, but we decided not to include it as part of our series from Ein Anderer Hitler, but to publish it separately. However, Willis Carto never decided to buy the right to publish it in The Barnes Review, as he did the others, even after we condensed only selected parts of it.

Thus it is that now, several years later, I am finally getting back to this project and putting what I consider the most relevant parts of Giesler's commentary on Speer into shape for publication on my website. I will first post these parts separately in the blog, and then archive them under Ein Anderer Hitler on the sidebar.