"The International Jew" Study Hour - Episode 52
June 20, 2013
Hadding Scott and Carolyn Yeager read and comment on Chapter 47, “Jewish Jazz Becomes Our National Music.”
This chapter begins with the 1920 U.S. govt. lawsuit against Irving Berlin and other Jewish officers of 7 music publishers in New York City for price-fixing and other trust-forming activity. The entire business of handling popular songs became a Yiddish business and, according to TIJ, “the jazz age” was a Jewish creation, with American youth being targeted with “sensuous sliding notes” and increasingly risqué lyrics. Other points made:
- Irving Berlin was born Isadore Beillin (later Baline) in Mogilev, Russian Federation, in 1888;
- Arriving in the U.S. at age 5–until 12 years of age, Berlin did not speak English; yet he became the #1 American songwriter;
- Yiddish song manufacturers began business in “Tin Pan Alley” located on 28th street, between Broadway and 6th Avenue;
- Jewish Jazz rode the wave of Negro ragtime popularity–Berlin’s first hit was Alexander’s Ragtime Band in 1911;
- New songs were churned out by the hundreds, only meant for short-lived popularity as in “the latest craze;”
- Preaching to music-addicted people (victims) is not effective, but rather attention should be turned on the victimizers (Jews).
Note: We are using the Noontide Press publication of The International Jew — The World’s Foremost Problem which can be found online here as a pdf file.
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Comments
Original comments on this program
6 Responses
richard
June 21, 2013 at 9:24 am
here’s the popular song for this week:
https://www.youtube.com/watch?v=LrUvu1mlWco
Carolyn
June 21, 2013 at 10:26 am
Wow. That’s a song? It’s a political message: Miss White Girl recommends lewdness and race-mixing as cool. Seems Miley Cyrus wants to top Madonna, eh?
Thanks, Richard.
Mary, White Advocate
June 21, 2013 at 12:39 pm
The YouTube video shows just how low we have gone. The ancient Romans, whom we resemble, were no less decadant. The message is clear. Our people are being destroyed by the same Tribe which ran Tin Pan Alley. This was one of the most disgusting performances I have ever seen, but I am sure there are far worse in that, in this video, at least most of the private parts of the bodies were covered up. In addition to the race mixing, there was also a strong message that lesbianism is OK.
Fred Wilson
June 24, 2013 at 3:46 am
More schlock for the gullible goys. Feed ‘em garbage. If they put up a fight, yell INTOLERANCE, scream RACISM.
Look into most any of the SLUT productions and guess who you will find.
Find out who produces Madonna, Milli Vanilli etc.
In that SLUT video, did you catch Miley giving the hand sign for a BJ ?
Real nice, to put that garbage out for kids.
Fred Wilson
June 24, 2013 at 4:05 am
A lot of the good jazz was White. Stan Kenton and dozens more. Of course you don’t hear much about them, just Benny Goodman ( not really White ).
The jews bought the major Jazz publication ‘DOWNBEAT’ and started promoting all things black and excluding anyone White. So much so that Stan Kenton made the innocent remark ‘I’m the last of a dying breed, a White jazz musician’. For that simple statement he took endless hell from jews media.
( Incidentally, it was Stan Kenton who created the ‘wall of sound’ style, not that murderous pervert jew, Phil Spector)
PE
June 27, 2013 at 11:14 pm
That youtube vid was revolting, and a perfect way to summarize this segment of The International Jew.