Holocaust Revisionism

By Carolyn Yeager
Copyright 2013 Carolyn Yeager

The following is a written version of the ideas at the beginning of my recent Heretics’ Hour radio program of 3-25-13 titled “Time to Blow the HoloHoax Out of the Water.” Some people get upset when the word ”holohoax” is used instead of  “holocaust,” thinking it is unnecessarily antagonizing to Jews — but I think it is proper, if just to keep from having to repeat their word, Holocaust, over and over and thus reinforcing a word that to those of us in the know, is offensive to us.  Left: Inside Yad Vashem’s over- the- top “Hall of Names.”

What holds the HoloHoax in place? Not the truth, not the facts. To find out, look at it this way. Imagine that it was “blown out of the water.” No more gas chambers. No more familiar sentences in newspapers and magazines, radio and TV, plus all over the Internet,  reminding us daily that “6 million Jews were killed by the Nazis.” No more aging “survivors” trekking to public schools, public libraries, community centers and any other venue that is offered, to tell how they escaped from a gas chamber during history’s most evil event.

March 25, 2013

The way to do it is for us to drop the fear of being "antisemitic." The greatest fear Jews as a race have is the fear of being expelled from their host countries, especially the USA. Thus, every displeasure we have with them is labeled "antisemitic." In addition, the last regime that attempted to expel them has to be portrayed as evil to the nth degree. This is what the HoloHoax is all about - it's about making sure a mass deportation never happens ... again. Thus, debating about gas chambers is probably (assuredly?) not the most important thing to do. Most important is to quit trying to make friends with Jews, but see them for the enemy they are. Evidence for this is overwhelming. A few examples:

• A Canadian Broadcasting radio program and a column in The New Yorker magazine reveal the need by the Jewish art world to construct an effective single response to Charles Krafft's art because of his now-thought-to-be-revealed  "antisemitism";
• A humorous aspect of this is Charles' miniature diorama of the dwarf family named Ovitz that was sent to Auschwitz, and his birdhouse construction named "Fowlschwitz," both mentioned in The New Yorker;
• Dwight Eisenhower, Supreme Commander of the European War Theater for D-Day and after, and two-term president of the U.S is one of the greatest war criminals in history, far surpassing Adolf Hitler, and it's all common knowledge;
• Prof. Ken Waltzer's (pictured here) long promised book about "the boys of Buchenwald" still has not materialized after 8 years - and he's taken down his web pages about it - the reason being facts about Elie Wiesel exposed by Carolyn at Elie Wiesel Cons The World;
• Instead he's touting a boring and untruthful film called Kinderblock 66 - The Film of which he was "history advisor;"
• Naftali Fuerst, one of the four child survivors in the film, has baldfaced lied about being in the "famous Buchenwald Lie-beration photo" that so many others have lied about, including Elie Wiesel.

Image: Recent official photo of Ken Waltzer from his new Jewish Studies Program webpage at Michigan State University

March 23, 2013

Established French Revisionist Vincent Reynouard, with his partner Marie, describe their new work and its importance in the larger scheme of holocaust revisionism. Oradour-sur-Glane is France’s “Auschwitz,” says Vincent, a protected memorial and “tourist attraction.” Waffen SS side of the story is here and here. Discussion included:

• Some history on Vincent’s involvement in the subject  since 1997, beginning with a 204 page book “Le measure acre l”Oradour;“‘
• The failure of our people to financially support working revisionists leading to decision to sell the full-length feature film rather than put it on the Internet for free;
• New 1 hour 37 min. video - Oradour: la contre-enquête  presents new arguments to those historians who failed to respond to the original arguments  since 1997;
• Point is made that failure to respond means they lose the argument;
• Need for help to make English and other-language versions of Vincent’s videos;
• Official history in 1999 by Oradour Memorial Committee makes no mention of Len Cotton, RAF crew member who hid in Oradour church, cared for by a Resistance member, after a crash-landing;
• Video shows new pictures of church victims still wearing their shoes and clothing, but with heads, arms, legs, etc. missing – proving an explosion was cause of death, not a fire;
• Point made that fear of losing current “freedoms” (politics) is more important than Truth for majority of people in Western, White society;
• “Holocaust” is seriously being presented as new world religion by “world leaders,” eg. Obama at Yad Vashem.

March 18, 2013

Carolyn Yeager presents a number of topics, based loosely on the wisdom of upholding the highest standards:

• Background on the writings by Leopold and Willy Wenger on carolynyeager.net;
• Acknowledgment of the passing of a great warrior, Douglas Christie;
• The psychological effect of donation giving, as discovered by Carolyn;
• Unending demands of Jews for more rights, influence and power to determine who can be politically viable and who can’t;
• Charles Krafft portrayed by Public Radio as possibly mentally ill or senile because of his purported “antisemitism;”
• The amazing inability of modern day “forward-thinking intellectuals”  to deal with historical/holocaust revisionist thinking;
• Beware of the Michael Ford translation of Mein Kampf, shown to be the work of an entrepreneur interested in money rather than a scholar interested in faithful representation;
• Comparison of passages from various translations show the pitfalls of reading translations; thus the more familiarity one has with the language and author the better.

Image: German edition of Mein Kampf put out by the NSDAP, 1937. This very edition was given to me as a gift. The text is in a Gothic typeface – very typical of German texts in that day, but harder to read than good old Times Roman.

A fantastic new website makes holocaust-revisionist works available in English and Polish that have not previously been translated into those languages.

http://shoabloger.wordpress.com is currently featuring "The Forbidden Truth" (Die verbotene Wahrheit), a 34-page brochure covering the important questions about the so-called 'Holocaust' divided into 12 chapters. So far, two chapters are published: Atrocity Propaganda and "The miraculous transformation of historical truth."

The image above is featured with The Forbidden Truth and includes the following text:

A huge Holocaust memorial, the size of two football fields, which occupies the center of Berlin, has been built despite empty coffers and against the will of the people.

The 2751 concrete pillars symbolize the desperate attempt to cement a highly questionable account of history, and to avoid any rational discussion. Doubts about the official version of the Holocaust are being suppressed under threat of draconian penalties.

Previous entries have been writings by French revisionist Vincent Reynouard which had not been available in English. Now they are!

Put this site on your favorites list and remember to check it often. We need more of this important work translated into more languages. More and more. That's the idea.

March 9, 2013

Prominent Seattle artist Charles Krafft, whose comment on this very program last July that he believed the holocaust was “a myth”  caused shock in the politically far-Left and Jewish-dominated art world, tells what it’s been like on his end since The Stranger article appeared on February 13th.  Discussion includes:

• Charles’ interview requests include Public Radio International (PRI);
• What his old friends are saying and writing to him now;
• His history as a ceramics artist with his “Disasterware” debuting in 1991 and “Spone China” in 1999;
• His connections to Slovenia and Romania, and the influence they had;
• Difference between holocaust denial, skepticism and revisionism;
• The importance, or not, of the artist’s intention and reasons for creating the work of art;
• Is it the art or the artist that the art public should consider;
• Art like Krafft’s can give a little distance from the “relentless mythologization of figures like Hitler (seen above in the form of a teapot) into symbolic demons.”
  

By Carolyn Yeager

Kent State President Lester Lefton said the university is expecting thousands of people from across the region to attend on April 11, 2013 when Elie Wiesel speaks as part of the  “Presidential Speaker Series.”

The PSS is a  project only in it’s second year that  “seeks to bring high-profile, world-renowned experts to Kent State for serious, thought-provoking discussions and conversations,” according to the KSU website. But will there be discussion and conversation with Wiesel while he is there? I’m sure not, as Wiesel never takes any questions from an audience (or from anyone anywhere) since so many people have gotten wise to the big fraud he is perpetrating. Wiesel will be whisked in and whisked out through secret passageways with no chance for anyone to interact with him. Expect security to be very tight.

The speech will be given at Kent State’s main campus at 7 pm  in the Memorial Athletic and Convocation Center (pictured right), which is located at 1025 Risman Drive, Kent, OH 44242. Detailed directions from all points can be found here. The center has a capacity for 6,327. Assuming an average of $10 per person, that could add up to $63,270. How much of that will Elie Wiesel get?

Please continue reading at Elie Wiesel Cons The World

Feb. 25, 2013

Tanstaafl of The White Network and Age of Treason Blog joins Carolyn for  another foray into the philosophy that drives them personally and the Internet radio network they formed. Topics discussed include:

• Satisfaction with the number of programs currently offered and the specifically pro-White content;
• Why a clear sense of identity — Who is Us — is the first step in waking up, followed by Who is our Enemy — because we do have one;
• Online anonymity – when it’s alright and when it isn’t – and some recently introduced legislation;
• Clear ideals must characterize White identity for the race to survive – article by Wm. Finck;
• Reasons for the resignation of Pope Benedict: Is it the demoralization of Western Civilization or the work of the enemies of the West;
• The persecution of Charles Krafft by the liberal, gay,and Jewish West Coast art world;
• What direction will our programing go.

Caller Stuart from Florida recommends participation in local militia-type groups with people you know.

By Carolyn Yeager

According to our esteemed correspondent Attila Kovacs, his reading of Mel Mermelstein’s survivor story reveals no mention of the famous Elie Wiesel, even though the book first came out in 1979 when Wiesel and his own story was already well-known among the general public.

The first edition [top photo right] was 264 pages, published by Crescent Books. In 1981, a second edition of the book [lower photo right] came out, following Mermelstein’s dispute in 1980 with the Institute for Historical Review (IHR) over his claimed proof that even a single Jew was gassed at Auschwitz.

The second edition of By Bread Alone was published by the “Auschwitz Study Foundation” and retains the same cover design, but with some new text added referring to the author’s successful lawsuit. It is expanded to 290 pages from 264 pages in the first edition – an increase of 26 pages to include the lawsuit story. The new cover texts reads:

who, in 1981,  filed a lawsuit for 17 million and 50 thousand dollars against the Institute for Historical Review, a Torrance, California-based organization of revisionists and pseudohistorians who claim the Nazi Holocaust is nothing but a hoax, a Zionist plot.

Continue reading this article at Elie Wiesel Cons The World